THE INSPIRATION
What inspired the collaboration between Jaune Pearls and Fillancq for The Sculptures collection?
The collaboration felt like an inevitable meeting of two creative philosophies. Marion's work is rooted in the ancient, prehistoric stone-cutting techniques, the lost-wax casting method, the handmade gesture that has existed for centuries. Jaune Pearls has always believed that a pearl is born of patience and motherly protection, and there's something deeply aligned in that. Both of us are drawn to materials that carry history, to objects that feel like they were made to outlast us. When we discovered Marion's work, it wasn't a question of whether we should collaborate. It was simply when.
Can you introduce the idea and vision behind The Sculptures collection?
The Sculptures is a limited edition collector's collection, nine pieces in solid silver, each one handmade and unrepeatable. The vision was to sit at the intersection of jewellery and fine art: pieces that could exist in a gallery, but are meant to be worn. We were inspired by the fluid movement of ocean water and the ancient art of sculpture in France. The Tahitian pearl, which is at the heart of everything Jaune Pearls does, became not just a material but a collaborator in the work. Its organic, imperfect beauty mirroring the hand-formed quality of Marion's silver.
THE CRAFTSMANSHIP
How did you merge the worlds of jewellery, pearls and sculpture into one cohesive collection?
The common thread was the hand. Marion works by hand, every form is shaped through physical gesture, through pressure and intent. A Tahitian pearl is also formed through a kind of natural handcraft: layer upon layer, built over time inside a living creature. The merger felt less like combining two worlds and more like revealing that they had always been one. Silver holds the sculpture. Pearl holds the ocean. Together, they hold something neither could alone.
Can you share about the creative process behind transforming sculptural forms into wearable art?
Marion begins with an ancient technique, the lost-wax casting method, which means every piece starts as a sculpted form before it ever becomes jewellery. The process is irreversible; it demands certainty and commitment from the artist before the metal is poured. What we had to honour in our collaboration was that integrity, not overworking the pieces, not making them more jewellery than they needed to be. The Tahitian pearl was placed where it belonged organically within the form, never forced. The result is a collection that wears like art because it was made as art first.
THE REFLECTION
What emotions did you want people to feel when wearing these pieces?
When you stand before a work of art, it gives back what you bring to it. Two people can look at the same sculpture and feel entirely different things, and both are right. That's what we wanted for The Sculptures. Not one emotion, but the capacity for many. A piece that means something different on the woman who wears it today than it will on the woman who inherits it.
What does this collection personally mean to both of you?
I was walking when I first saw Marion's work. I did a double take, stopped, looked again, couldn't place why it moved me the way it did. I looked everywhere for her after that. When I finally found her, I had to reach out. I didn't know if I was going to be ignored, but I just had to try. There was a magnet pulling me towards her. That was a year ago now. A few months later, I planned a trip to meet her in Paris. When I finally saw her work in person, something clicked into place. You can see the emotion and the love in each piece, not as a concept, but as something physically present in the metal. That's rare. That's what made this collaboration feel less like a business decision and more like something that was always going to happen.
For Jaune Pearls, The Sculptures marks something significant, our first major artistic collaboration, debuted in Paris, with a French artist-jeweler whose philosophy mirrors our own. It proved that pearl jewellery can exist in the world of fine art without losing what makes it beautiful.
For Marion, I hope it was an opportunity to bring the ocean into her work, a material and a mythology she hadn't worked with before. This collection is proof that when two creative visions align without ego, the result is something neither could have made alone. That's what we hope people feel when they see it.
Discover The Sculptures.
